Minggu, 29 April 2012

Free Ebook The Art of Anatheism (Reframing Continental Philosophy of Religion)

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Review

We have known anatheism as a concept; now comes anatheism as the site of a debate. We measure the genius of an author or an idea, said Kant, by its capacity to “found a school.” The Art of Anatheism, convoking the greatest authors of the Continental (Jean-Luc Nancy) and Anglo-Saxon (John Caputo) traditions, here proves that anatheism, invented by Richard Kearney, is not an obscure idea. Anatheism becomes for today a new way of thinking transcendence in order to not reduce it to silence. Not confronting it would be to flee the challenges posed by our contemporary world. (Emmanuel Falque, Professor of Philosophy, Catholic Institute of Paris)What have the muses to do with theology? This collection of vibrant and sensitive essays attends to tremors of the divine in literature and the arts. The space of theopoetic meditation thus opened challenges theology at its base, summoning it to embrace a larger and more richly human outlook. (Joseph S. O'Leary, Sophia University and Surugadai University)The anatheist “return to God after God” takes on new dimensions in this remarkable collection, exploring how the divine (theos) manifests itself in the sacred activity of making (poiesis), and how making helps us to retrieve and re-experience the originary experiences of the call of the other and the risk of hospitality after the “death of God.” The essays—by artists as well as philosophers and theologians—sparkle with insight on how we might experience “God after God” in our concrete, lived existence. (Brian Treanor, Charles S. Casassa Chair and Professor of Philosophy, Loyola Marymount University)Always the good teacher, Kearney explains himself clearly and concisely: [anatheism] is a return to God after God. That is, an invitation to rethink “God” after a very long period of withering criticism of theistic religion…. As one of Kearney’s most revered teachers in phenomenology, Levinas, used to say (in a slightly different context), one must be contre-dieu before one can be à-dieu, against God (or, better, a certain concept of God) before one can truly go toward him. It is a lesson that Kearney has learned well. (LA Review of Books, 25 November 2018)… as someone that finds this [the anatheist] project to have powerful theological and philosophical significance, this volume only expanded my appreciation for the project Kearney began in his Anatheism volume. If any religious hermeneutics worth its salt has explanatory power for religious art, then Anatheism has salt to spare. Those interested in aesthetics, religious art , or the phenomenology of religion will benefit greatly from reading the essays in this volume. (Pneuma, No. 40)The success of the Art of Anatheism lies in its exclusion of exclusions, its lowercase ecumenism, its ability to walk the walk of Anatheism’s talk of hospitality. The diversity of the contributors—artists, philosophers, theologians, poets, and pastors—and the vertiginous range of their discussion topic, from Buddhist art all the way to the Beatles, testify to the arrival of an idea with a universal application achieved only by true and timeless insight. (Reading Religion, 7 January 2019)

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About the Author

Matthew Clemente is a teaching fellow in philosophy at Boston College. He is co-editor, with C.H. Doude van Troostwijk, of Richard Kearney’s Anatheistic Wager: Philosophy, Theology, Poetic (2017).Richard Kearney is Charles Seelig Chair of Philosophy at Boston College. His many publications include Anatheism: Returning to God after God (2010), Debates in Continental Philosophy: Conversations with Contemporary Thinkers (2004), On Paul Ricoeur: The Owl of Minerva (2005) and Navigations: Collected Irish Essays 1976-2006 (2007).

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Product details

Series: Reframing Continental Philosophy of Religion

Paperback: 314 pages

Publisher: Rowman & Littlefield International (December 12, 2017)

Language: English

ISBN-10: 178660521X

ISBN-13: 978-1786605214

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,342,695 in Books (See Top 100 in Books)

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Sabtu, 21 April 2012

PDF Download The Most Magnificent Thing, by Ashley Spires

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The Most Magnificent Thing, by Ashley Spires

From School Library Journal

EMOTIONS; SOLVING PROBLEMS

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From Booklist

One day, a young girl who enjoys creating things decides to build something truly special. So, after drawing diagrams, hiring an assistant (aka her best-pal pooch), and collecting materials, she establishes her sidewalk workshop. But, alas, bringing vision to fruition isn’t easy. Progressively, excitement and confidence wane, motivation turns to meltdown—then to defeat (I’m no good at this. I QUIT!). Happily, some timely dog walking brings clarity, calm, and an inspiration for an imaginative solution that just might work. Fanciful illustrations depict the spindly, cartoonish characters; the girl’s intricate found-object contraptions; and colorful scenarios against black-and-white line drawings of a city-neighborhood setting. Interspersed all-capitalized words enliven the text, though the smaller-sized, spiky font may be more for one-on-one sharing or slightly older readers. With witty and whimsical elements (including the dog’s side antics), this supportively portrays the sometimes-frustrating process of translating ideas to reality and shows how a new perspective can help problem solve and rekindle enthusiasm and joy. Grades K-2. --Shelle Rosenfeld

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Product details

Age Range: 3 - 7 years

Grade Level: Preschool - 2

Lexile Measure: AD380L (What's this?)

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Hardcover: 32 pages

Publisher: Kids Can Press (April 1, 2014)

Language: English

ISBN-10: 1554537045

ISBN-13: 978-1554537044

Product Dimensions:

9.4 x 0.4 x 9.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

565 customer reviews

Amazon Best Sellers Rank:

#857 in Books (See Top 100 in Books)

This story was so moving. The message was lost on younger students (PreK, K, 1st), but the ones who were a little older or more mature really understood the message that you don't have to be perfect or do everything perfectly to somehow make all the right pieces end up in just the right spot. It was uplifting to remember that it's okay to let things go sometimes, and the world will continue to support you somehow.

The Most Magnificent Thing is picture book worth reading time and again with our children even for us adults when we lose perspective. It sends the perfect message to the reader about not giving up and looking at the problem from a different point of view. Just set back and recharge before tackling a difficult problem that is stuck.I was pulled into the book with the cover and blurb and immediately requested it. The book is not just a story about making something but learning as well. The girl tries to invent something, tinkering and planning as she goes about her task. Learning and play along with reading make a delightful trio in this book, The Most Magnificent Thing.It is a simple story that can be a good guiding and motivating book for small children. I sat and read it to my son and we read it twice and talked about the pictures and all the little changes and activities the little girl was doing. Her cute, silly dog made the story funny and endearing. The furry assistant sure made a lot of things easy. Only now, my son is asking for his own assistant so he too can build ‘magnificent things’.The illustrations are spot on making it a delight for the younger kids to read as well. The pictures of the ‘magnificent thing’ they are making and its different version was a fun clue to figure out. We played the game together to try to find the exact thing they were making.The Most Magnificent Thing has excellent narration and language and teaches a child and adults about creativity, challenges, and not giving up. Often we are told to ‘take a break’ or ‘see things from a different perspective this book shares all this wisdom in a simple and rather cute manner.A fresh, funny book full of wisdom. A perfect pick for an ideal gift book as well.(I requested this book from KidsCanPress via NetGalley review is my own.)

I'm happy with the Most Magnificent Thing. I bought the book for my 2yo daughter who loves to read. My daughter is becoming more aware of building, her imagination and her emotions. I think this story illustrates all these things so well. My only critique is that I went with hardcover vs board book because my daughter does so well with not destroying books, most of the time. However, the hardcover is a large square book. I think a board book would suite her toddler fingers better for toting the book around the house. Overall, a good buy.

One of my favorite Thomas Edison quotes is "When you have exhausted all possibilities, remember this -- you haven't." He could have been speaking of this little girl.Child-friendly language and charming illustrations are a perfect combination in this story of hope, perseverance, and hard work as a little girl endeavors to create the most magnificent thing. She fails more than once, even becoming so frustrated that she gives up. But determination wins the day when she takes a look at all her "failures" and discovers each has an element that is just right.

This is one of my most favorite picture books - a story about perseverance and keeping a cool head. I have read it to my own kids over and over again and I bring a copy as a gift to every baby shower I attend! My kids especially love that the dog pees on the failed project - it's not highlighted in the book (this is not a potty humor kind of book), but they noticed it in the picture and giggle every time. :)

I really enjoyed this book, both the writing and the illustrations. The author totally nailed the frustrations of being a perfectionist. As I read, I hoped for that moment when we fall into a puddle of tears, convinced we just. can't do. it. It is always from there that Glory comes calling! The author did not disappoint! The illustrations are delightfully whimsical and successfully work together with the text. I highly recommend this book via Kindle or print.

This is one of my favorite read-aloud books to read to 2nd graders! I love how the journey the main character goes on trying to create the perfect thing she visualizes, and how she realizes all her mistakes along the way were something others were looking for. This is a great book to read to kids about mistakes!

I'm surprised that my 2 year old likes this book so much. It has a fair amount of words for that age so I just adapt it to his attention span at the moment, but he loves the "crunch"-explode page. I'm sure he knows just what she's feeling! I love the message and find myself thinking "it wasn't her finest moment" before i explode myself! Love this book.

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Minggu, 08 April 2012

Ebook Free Federal Rules of Evidence (2018 Edition): with Advisory Committee Notes & Rule 502 Non-Waiver Templates

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Federal Rules of Evidence (2018 Edition): with Advisory Committee Notes & Rule 502 Non-Waiver Templates

Product details

Paperback: 144 pages

Publisher: CreateSpace Independent Publishing Platform (December 14, 2017)

Language: English

ISBN-10: 1981392912

ISBN-13: 978-1981392919

Product Dimensions:

8 x 0.3 x 10 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#802,732 in Books (See Top 100 in Books)

This sets out the rules in an easy to read format. There is nothing more to say. If you don't like any of it, complain to congress or the Supreme Court, not to me!!!

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Jumat, 06 April 2012

Free PDF The Fervent Years: The Group Theatre And The Thirties (A Da Capo paperback), by Harold Clurman

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The Fervent Years: The Group Theatre And The Thirties (A Da Capo paperback), by Harold Clurman

From the Back Cover

The Group Theatre was perhaps the most significant experiment in the history of American theatre. Harold Clurman, founder of the Group Theatre and dynamic force as producer-director-critic for fifty years, here recreates history.

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About the Author

Harold Clurman was the author of Lies Like Truth, The Naked Image, On Directing, The Divine Pastime, and All People Are Famous, and was the editor of numerous theater anthologies.

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Product details

Series: A Da Capo paperback

Paperback: 352 pages

Publisher: Da Capo Press (March 22, 1983)

Language: English

ISBN-10: 9780306801860

ISBN-13: 978-0306801860

ASIN: 0306801868

Product Dimensions:

5.6 x 0.9 x 8.6 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#315,214 in Books (See Top 100 in Books)

The Group Theatre, modeled off of the equally influencial Moscow Art Theatre, was an artistic organization that completely and drastically revolutionized not only American Theatre, but World Theatre as well.Formed in the 1930's and comprised of what has become a literal who's who of Theatre: Clifford Odets, Elia Kazan, Harold Clurman, Robert Lewis, Stella Adler, Lee Strasberg, Cheryl Crawford, John Garfield, Sanford Meisner and many others, The Group Theatre sought to create a vibrant and organic native theatre that sought to not only mirror the times but also instigate radical social change.At no other time in American history has an artistic group been comprised of so many talented individuals focused on one aesthetic and political goal. Despite one's political leanings (make no mistake, The Group Theatre were extreme leftest liberals), The Fervent Years provides and endless and bountiful amount of inspiration and stimulation for any theatre artist.Clurman writes in a fine dramatic style that boils with passion, wit and insight. The Fervent Years is required reading for all devotees of The Theatre. But don't let that scare you, it is a most entertaining read at the same time.

This book is a beautiful account of the struggles and events surrounding Harold Clurman during his time with the Group Theater. Harold starts off by revealing how his life brought him to establish the Group along with Lee Strasberg and Cheryl Crawford. It then continues and describes the significant struggles and events encountered by the Group and its members along with some beautiful and extremely important observations Harold made, not only regarding the theater community and its participants, but also about our society in general and its effect on art in general.This book is an absolute must for any serious actor or director. For that matter, anyone serious about life would gain from reading this book. The Group Theater was a wonderful "experiment" fostered by some very passionate people who not only helped to shape theater in America, but they also played a significant role in laying the groundwork from which some of the best acting and directing has emerged as seen in films and theater since that time.I won't give anything away for the sake of would-be readers, but generally speaking, one of the great things I took away from this book relates to a character arc that he, Harold Clurman, went through in relation to experiences he had early on where he did not yet fully understand why some negative theater reviews upset him. Over time, he elucidates how he came to understand his emotions had intellectual justification. It's great, because you see a man with enough wisdom to observe his emotions of being upset, yet he gives himself time to understand the logical meaning of those same emotions, justified or not. It's almost as if he's willing to give himself time to check his own reality. The side irony (or perhaps not so ironic) is that I observed a connection between what he eventually realizes in that one aspect of his life when compared to greater troubles of that era. This is all only one nugget of the book, but it was the most meaningful to me.

Excellent!

“In the books I read, in the painting I see, in the music I hear, in all conversations, I am aware of the presence of the world itself, I detect a feeling for large issues of human concern. In the theatre these are either absent or diluted, frequently cheapened. Where is the best thought of our time in the theatre, the feeling of some personal significance in any of its works? Either there is something inferior in the theatre per se or there is something wrong about the practical theatre of today that escapes me. I can’t live without the theatre, but I can’t live with it. The theatre gives itself lofty graces, claims a noble lineage, but has no more dimension than a bordello!”That’s Harold Clurman in the 1920’s and it’s what he and The Group Theatre sought to change. They were not alone, others sought the same, all failed as often as they succeeded, but their failures just as much as their successes laid the foundation for the theatre of today.

A classic.

A great book about a proud period in American culture.

This book is one of the single most inspiring pieces of writing I have ever read. For actors, directors, designers, technicians, and playgoers, as well as historians, this book is a must-read.In Clurman's wonderfully bombastic style, this is the first person account of one of the most exciting theatrical movements *ever*. It tells of the Group Theater, a movement which brought Stanislavsky's theories to American acting, and gave rise to the careers of playwright Clifford Odets & future filmmaker Elia Kazan, among others.The story is amazing, truly inspirational, for those of us who love theater. About halfway through the text, I stopped being mildly irritated by Clurman's egomanical asides and started loving them. They give character to what might be rather dry history.Besides, the man helped to shape the American aesthetic. I think we might give him a little leeway...I finished this book feeling inspired by people who want to make their lives into art. It's a very personal story, and the real love affair in the book is between Clurman and the theater. And it's a gorgeous love story indeed.(Additionally, this text is a great peek into the spirit that moved the 1930's. Really interesting from a cultural historian's perspective, I'm sure.)

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