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Product details
File Size: 29850 KB
Print Length: 149 pages
Publisher: Rocky Nook; 1 edition (March 25, 2015)
Publication Date: March 25, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00V7B1NX4
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Amazon Best Sellers Rank:
#510,587 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This is a great introduction to so called street photography. I only wish that it was much longer and had more photographs by Lewis. He also steers clear of giving his opinion in various areas on the assumption that there are always other points of view. Commendable, but I would have appreciated knowing what he thinks in more detail, even at the risk of some controversy.
I'm usually careful about being negative when it comes to books; even if it's not a great volume it probably took the author a lot of work to create. But all the same, there are good options and there are not-so-good options for spending your hard-earned dough. This particular book doesn't quite make the cut.If you're buying this book for technical, or skill-based, learning, you're better off going somewhere else. The content is largely generic and the sort of thing that can be found anywhere on the web. I didn't get a good sense of the author's personal style or ethos. A better bet for technique would be The Street Photographer's Manual, also to be found here on Amazon.Of course, another main reason you would buy such a book is to look at great examples of street photography, and enjoy the author's personal style. Sadly, most of what is contained in this book is very commonplace, with little to recommend it. I'm looking for poignancy, juxtaposition, humor, energy... all of those things which make a street photograph transcend time and location to speak to the larger human experience, but I'm having a hard time finding it in the work the author has chosen to show. It's almost as if the decisive moment was not waited for. I would like to be kinder, but I'm left with a feeling that this book was rushed to press by a publisher who wants to get in on the rising tide of modern street photography and not as a showcase of unique and powerful craft.Also, the book itself is of very low quality. The cover and pages both feel too thin and just cheap.Edit: 6-20-15. After letting this book settle in further, I actually took an additional star off of my review. Often street images bear multiple visits to really soak in their flavor and contents, but I can honestly count on one hand the images in this book that even interest me. On the other hand, dozens of them exhibit what I would call the wrong moment, or lack of patience or vision... "Uninspiring" is the word that really describes the author's work here depicted, just as "uninspired" is the right word to describe his advice. There is just no insight to be had here. I wanted to like this book, but it has left me quite cold.
I expected fantastic photos, but I thought that was all I would get. Instead I got advice that I will be able to return to as I take my second turn through the joys of photography. The narrative comes to me at a glorious time. I enjoyed photography intensely when I was younger, but had been very frustrated by the photos I've taken in the last decade (all low tech digital phone cameras). This book helped me realize that I can enjoy photography again -- I just need to reengage with proper tools. The narrative speaks to his skill as an educator, as it invites the beginner in, without ignoring or disrespecting readers with greater expertise. Can't say enough great things about the book. I have already bought a 2nd as a gift for a friend.
It's just OK...
The book was well writhen.
Gordon Lewis' Street Photography is both a creative inspiration and also a pleasure to read. If I had to summarize it in one word, it would be "witty." By that I mean that Lewis is elegant, illuminating, and often funny, both in his writing and in his photography. Being able to hear his voice come through in his writing and in his photography (and the photography of others that he includes) really helps the reader understand Lewis's creative point of view. He shows us instead of telling us, and it is contagious.This is a book for someone who already knows how to use their camera technically, and who wants to improve their aesthetic/artistic ability in the domain of street photography. Obviously, the ability to "read" street photography competently helps one's creative ability to produce quality street photography. Because Lewis's voice comes through in both prose and images, one learns how to see the world as Lewis does.Let me give a simple example. Early in the book, he shows a photo of rich reds, complex architectural structures, and warm sideways light streaming in to bring it all alive. Only after admiring the photo did I read the caption, where I discovered, to my shock, that the photo was taken in the entryway of a Target department store (!!). When I looked back again at the photo, I realized that it could well have been my own local Target, and I wondered: how many times have I blithely walked past this incredible play of light, color, and structure, not bothering to look, because it was a Target? Throughout, Lewis shows how apparently boring everyday scenes can be turned into very interesting photos--if you just know how to look.I have many photography and art books with titles that have variants on "how to see," "how to read," "seeing like a photographer" and so on. Rarely do I come away from them--whatever else their merits are--feeling like I am more capable of seeing like a photographer or of reading photography; like anything else, such knowledge is slowly and painstakingly acquired. Yet this beautiful little book Street Photography delivers as much of that as one could reasonably hope in a surprisingly compact space.Again, I think what made the book work so well is the unusual connection between words and images. Commonly in photography books, the images are stunning and the words are either so few that they don't do much, or so turgid that you know why the author became a photographer and not a writer! This connection between words and images immerses the reader in Lewis' creative point of view. I'm glad for the few hours I spent in it, and I look forward to revisiting this book next time my creativity seems dried up, to remind myself that I have merely forgotten how to see.
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